In recent years, the Chinese literary theories around the literary theory and the relationship between the cultural research, had a series of debate. This has not been calm of debate, because the relationship to Chinese literature theory of subject construction, and by the educational world attention. I read part of the important debate in the article, the author in the use of some popular feel proposition, because do not have the necessary identify and reflection, the performance of the proposition of the basic misunderstanding. As a sacrifice, and I will the current several main popular proposition, the relationship between the aesthetic and literary theory as the center, do a relevant reflection oil painting tips.
A, "aesthetic daily life" : a literature theory proposition, or sociology proposition?
"Aesthetic daily life", is very popular in recent years Chinese literary theory world of a proposition, is a group of Chinese scholars to avail himself of the discussion of the construction of literary theory as a new starting point. However, this proposition in which causes western cultural context is always a sociology proposition.
The earliest clearly put "aesthetic daily life" proposition is the social scientists featherstone (M.F eatherstone), he used this proposition to define the 20 th century since the late postmodernism of the basic characteristics of the culture of: "if we to review of the postmodern definition, we will find, it emphasized art and daily life boundaries between the resolution of, decorous culture and popular popular culture of the boundary between clear overall style to disappear, mixed banter and the type of code mix." Featherstone will "aesthetic daily life" is divided into three levels: first, the dadaist and surreal represents the subculture of art movement (vanguard movement), the motivation is to eliminate art and life boundary; In the second place oil painting, from baudelaire, Oscar Wilde to foucault a line by scholars for "the life into art" sport; Third, by the contemporary consumption culture production symbols and images of the trend of daily life with the human body, and form the aesthetics of the new reality. In featherstone view, the first two levels of aesthetic booked the third level of aesthetic, "in short, for contemporary aestheticism consumer culture booked a to mimic and image building aesthetics of reality."
